This installation takes the form of a textile threshold created from inherited fabrics.
The material is displaced from its original context and reconfigured within an exhibition space.
It no longer protects: it exposes.
The body no longer moves freely through this space; it is oriented, constrained, negotiated within it.
The Minotaur does not appear as a figure, but as an invisible structure of constraint.
The project is based on the transformation of existing material, avoiding any new production.
It brings memory, body, and space into tension through a logic of fragmentation and reactivation.